Ceramics Art + Perception Issue 123

CONTENTS

• Jean-Nicolas Gérard @ Goldmark Gallery by Mark Haddon
• Felicity Aylieff A Monumental Achievement by Paul Bailey
• Ranti Bam: Anima at James Cohan Gallery, New York, May 17-July 26, 2024 by Janet Koplos
• Worlds on a Log: On Del Harrow’s No Ideas But In Things by Kylan Rice
• The Paper and Porcelain World of Park Jongjin by Jisu Hong
• Three Old Blokes Show Us What They Can Do: A visit to the Champy DeJonghe Casanovas exhibition at Galerie Capazza, France by Andre Hess
• 2023 Jingdezhen International Ceramic Art Biennale by Li Chao
• Capturing Silence: Albert Yonathan Setyawan Survey Exhibition at Jogja National Museum, Jogjakarta, October 6 – November 5, 2023 by Nurdian Ichsan
• Unsung Heroes by Sebastian Blackie
• Unearthed: The NEHMA Ceramics Collection & The Woman Behind It by Kathleen Keys
• Kilnside Chronicles: the Masters of Clay Gulgong 2024
• National K-12 at Clay Gulgong 2024 by Karen King and Felicity Wood, National K-12 Coordinators, Clay Gulgong
• Vinod Daroz: Transforming Indian Tradition into Contemporary Ceramic Masterpieces by Leman Kalay
• Ephemera and Permanence: Dichotomies of Process and Product in Contemporary Ceramic Art Practice by Oya Aşan Yüksel and İsmet Yüksel
• The Janet Mansfield Merit Award for Woodfired Ceramics by Owen Rye
• ThrowDownUnder The Global Television Hit Arrives in Gulgong by Zeynep Testoni
• Fred, Ferrari & Family Firing the Gulgong Racer by Malcolm Greenwood, Simon Reece, George Khut and Mike Hall
• A Life In Objects By Rob Barnard Review by Owen Rye
• Barba Stembergar Zupan: A Success Story in Studio Pottery by Ahmet Cüneyt Er
• Jiwoon Yang: Aestheticism, Art and Craft by Bang, Chang Hyun
• Why Are There No Adult Male Figures on Ancient Chinese Ceramic Pillows? by Wanli Zhang and Yi Zhang
• Poke in the Eye: West Coast Counterculture, Seattle Art Museum, June 21–September 2, 2024 by Matthew Kangas

TECHNICAL

• The Colony: Marine Inspired, Multisensory Internal Wall System by Katarzyna Tracz
• Q&A: Ceramic Colors Influenced by Jeff Zamek
• Q&A: Gerstley Borate by Jeff Zamek

Cover image: Jean-Nicolas Gérard, Small Teapot, 2020, earthenware, black with big yellow spots, 27 x 19 cm
Image credit: Jay Goldmark