Ceramics Art + Perception Issue 124

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CONTENTS

  • Highlights of Formation: the 2025 NCECA Conference in Salt Lake City, Utah by Joshua Green
  • Interview: David Ray by Henrietta Farrelly-Barnett
  • The Wildness of Clay by Jo Nakayama-Painter
  • South African Clay Awards. Clay Museum, Nov – Dec 2024 by Eugene Hön
  • Mike Dodd: A Life of Looking by Max Waterhouse
  • Craftscape by Sebastian Blackie
  • Melanie Brown: The Familial in Teapots by Çigdem Önder Er and Ahmet Cüneyt Er
  • Always the Bridesmaid: Still Life in Clay by Chris Gracia
  • Gregory Pierce: Beneath, Betwixt, Between & A Dim Flicker by Matthew Kangas
  • Social Ideology in Ceramic Art by Ali Uslu and Kemal Uludag
  • Kate Malone: The Last Decade by Paul Bailey
  • The Language of Clay: Multiple Identities and Cultural Narratives in the International Shiwan Cup Youth Sculpture and Ceramic Art Exhibition. October 13, 2024 to February 28, 2025 at the Meitao Bay Xingguanghui Art Museum, China by Lai Huasheng
  • Jiha Moon: Fool’s Moon at Derek Eller Gallery, New York by Janet Koplos
  • The Legacy of Mesopotamia: A Transformation from Glazed Brick to Modern Art Practices by Hasan Baskirkan
  • Another Brick in the Wall by Sebastian Blackie
  • The 25th anniversary of the Winifred Shantz Award for Ceramics by Denis Longchamps
  • Mandarin Porcelain: The Image Construction of Chinese Confucian Aristocracy in 18th-Century Europe through Cultural Transcreation by Han Chen, Lixian Liu and Xue Min
  • The Asymmetry of the Korean Moon Jar by Younjung Hwang and Kyungwon Choi
  • Power Platform: Reinhold Rieckmann’s Imaginary Classical Period by Chen Jian and Song qinglu
  • Shida Kuo “Work 1993-2023” at Nunu Fine Art, New York by Janet Koplos
 TECHNICAL
  • Exploring Fast Firing Techniques in a Soda Kiln by Minori Thorpe and Ashley R Barber
  • Q&A: Trimming Defects by Jeff Zamek
  • Q&A: Glaze Additives by Jeff Zamek
  • In-Mold Glaze and Slip Applications in Ceramics by Efe Türkel and Fevzi Rıdvan Yayman
  • The Illusion of Ke Hegen’s Glazes by Zheng Chenyang

Cover image: Bianca TurnerUntitled #16, 2024, ceramics, underglaze, glaze, cone 6, 9 x 10 x 11.5 in (23 x 25.5 x 29 cm).
2025 NCECA Multicultural Fellowship Exhibition, UMOCA